As one of the most imaginative, narrative and prolific lyricists ever to emerge from the mean streets of Brooklyn USA, his albums are like mini-movies. As a matter of fact, the man has been born, and re born, and born yet again. In his 1988 lyrical debut, he took a stand along side Big Daddy Kane, Kool G. Rap and Craig G on hip hop’s most important posse cut, ‘The Symphony’. His first full length album, the Marley Marl produced Take A Look Around (1990), established the rookie emcee as a sophisticated voice from the ghetto. Slaughtahouse (1993) was an ingenious conversation with hip hop, as Ace and his incorporated crew took on the entire gangsta rap genre. In 1995, his Sittin’ On Chrome LP unified American car culture as a celebration of rims and rides and rap music. Then after a 6 year hiatus, Ace caught the world off guard with the epic Disposable Arts (2001). This classic theme album, complete with plot, main characters and score, played like a feature film on wax. A Long Hot Summer, (2004), was the prequel to Disposable Arts. He’s released three more albums since 2004, with his latest, Son of Yvonne, being a dedication to his mother.
Follow Masta Ace: MastaAce.com | @MastaAce | Masta Ace on Facebook
Rhymes: Chic "Good Times," Slick Rick and Dougie Fresh "La Di Da Di," and Green Day "Good Riddance (Time of Your Life)"
[…] Listen and download Masta Ace’s interview right HERE. […]
Masta Ace interview with Rhymes & Reasons | Blackout Hip Hop